TheBanyanTree: Life Stories 151
Tobie Shapiro
tobie at shpilchas.net
Wed Feb 14 07:16:39 PST 2007
February 14, 200000007
Dear Clan of the Tree Branches,
So today is Valentine's Day. You
remember having to give everyone in the class a
Valentine's day card? Not just your special hoo
ha, everyone. And there was inviting everyone to
your birthday party too. It's funny how they
have this kind of social ostracism covered with a
rule, but when the kids get out on the
playground, they let them run it like the Lord of
the Flies. Kids can be so mean. Mean without
the gloves. This Valentine's day, I am steering
clear of all the flower stands. I am not in love
with anybody, and nobody's in love with me. I
don't expect flowers or a card or candy or any of
those other things that are standard fare on this
day. I do think that maybe I should get my
mother something. But then, again, if I get my
mother something, I should get everyone else
something. Here we go again.
Creative Drama
While my mother was involved with
Adventure Theater in Silver Spring, Maryland, she
enrolled Dana and me in a creative drama class.
In fact, that's what the company that offered the
classes was called, "Creative Drama". I remember
the lessons. They would have us act out moods
and act out animals. I was good for sad, with my
eyebrows lifted up in the middle, and my mouth
curled down. I was good for happy, with my whole
face involved in a big grin and my head shaking
with excitement. I was good for scared,
shrinking back, covering my head with my arms and
throwing my eyes wide open. Angry was easy. I
jumped up and down screaming, stomping my feet,
making fists and swinging them in the air just
like my father did when he was mad. When he was
mad, he was like an eight year old, that awkward
age for boys, all aggression, triumph and defeat,
barking and fisticuffs. That awkward age sticks
around until they are about forty.
Dana was also in the class, but she was
older and much more sophisticated. Drama was
really her bailiwick. She claimed acting, as she
said that I had claimed music and art. We
divided up the talents that way. But in the
acting class, we were in it together, and she
made certain that I knew I was only borrowing a
brief dalliance with drama from her which she
loaned me out of the goodness of her heart.
The culmination of all the acting lessons
was the yearly project, a whole play which the
students put on. That year, they were doing,
"Dick Wittington's Cat," about a sailor, Dick
Wittington, and, well, . . . his cat. In our
class, we were having try outs for who would be
the cat. I loved cats. I was already a fanatic
about cats, and felt I owned that as my personal
territory. Therefore, it would only be right if
I were to get that part. Several of my
classmates auditioned for the part. We were told
to go out there on the floor and act like cats.
Everyone else hissed and scraped the air with
their paws, claws extended. But I crawled around
and licked myself clean, stretched and meowed
plaintively. I thought I had it hands down. I
did a thorough cat. The others did a
stereotypical caricature. The way the part of
the cat was chosen was not by a panel of judges,
or by the teacher appointing whom she thought
best. It was done by popular vote. The little
kids would vote for their favourite cat. I
recognized this to be a popularity contest, and I
was sure that under those circumstances I
wouldn't win. I already felt like an outcast at
six. When the hands went up in the air and the
votes were tallied, the part was given to a
little girl who had hissed and spit and meowed
angrily, a feisty cat.
I was more than crestfallen. I felt that
a great injustice had been done, to me and to
cats everywhere. I knew positively that I had
been the best cat. I mean, for Christ's sake, I
cleaned myself with my tongue! That's method
acting if ever there were. So what was this
voting for the shallow blond cupie with the poor
approximation of a feline? It had been a
mistake. This part had been torn from me. It
was so unfair.
So I threw a tantrum. I put myself on
the linoleum floor, and hollered, cried, kicked
my legs and pummelled the ground with my little
fists. The teacher and the assistant teacher
both hovered over me, leaned down into the danger
zone to try to calm me. But of course I wouldn't
be calmed. This was an ethical tantrum. It was
being thrown on principle, not out of some
childish whim or lack of discipline.
The teacher ventured in. "Tobie. Stop
screaming, Tobie. You can take another part in
the play."
"I wanna be the cat! I wanna be the cat!"
"Tobie. You can't be the cat. Everyone
voted and you weren't chosen. Come on. Stop
crying and join us. You'll see. There will be
another part you can play."
"I wanna be the cat!"
This went on for a while. The teacher
and the assistant teacher took turns trying to
persuade me out of my fit while the other amused
the rest of the class. Finally, the teacher
addressed the little girl who'd been voted Dick
Wittington's cat. There was a huddle, lots of
whispering, lots of beseeching. The teacher came
over to me. I was still hollering loudly, not
tired yet of throwing my cat fit. She told me
that I should stop my temper tantrum. The other
little girl had been gracious enough to give up
the part of the cat to me. She didn't really
want it that badly, and it was clear that I did.
The words almost didn't sink in. What
was this? I threw a tantrum so I got what I
wanted? As I stopped shrieking and composed
myself, I didn't know how to react. Did I simply
accept this, say thank you, and toodle off to the
rest of the class? Did I apologize for my
behaviour and promise to be the best durn
Wittington's cat that had ever been? I was
embarrassed about my awful behaviour, and not a
little shocked that throwing a tantrum had
worked. Isn't it supposed to be otherwise? I
dried my tears, wiped my nose on the back of my
hand, and joined the class.
I remember the play as if I were
watching it from the audience, not as a member of
the cast on stage. I can see me there, at Dick
Wittington's boots, rubbing up against his legs,
meowing, curling up and sleeping, acting like a
cat. There was no opportunity to lick myself
clean in the play. The title role was actually a
bit part. It was mostly about Dick Wittington.
But I can't give you any details. I've long
forgotten the gist of the play. I don't even
recall my costume.
--
Tobie Helene Shapiro
Berkeley, California USA
tobie at shpilchas.net
More information about the TheBanyanTree
mailing list