TheBanyanTree: Life Stories 64
Tobie Shapiro
tobie at shpilchas.net
Sun Nov 19 13:46:37 PST 2006
November 19, 20000000006
Dear Tree,
It is Sunday morning. The house is
unusually quiet. I don't hear Meyshe bouncing
around and groaning, and my mother isn't up yet.
So I'm essentially alone at the keyboard, hacking
out my message to you.
Today, my old house is offered up again
at the open house tours on Sunday afternoon.
They've fixed it up and staged it, and all that's
left that's mine in the house is the piano, that
beautiful lady who's a hundred thirty years old.
People will course through there and maybe
someone will want to buy it. If that happens,
I'll have a lot of money in the bank for a while,
until I buy another house. Two hundred people
went through there last week. No one could park
on the street. I wanted to see it, but I didn't
want to run into villainman and his wife,
Rebecca. So I stayed away. I did make an
arrangement to see the house on the Thursday
brokers' tour. Again, there were cars parked all
up and down the street, and there was a swarm of
agents coming in and out. But when I pulled up,
I saw a severe woman sweeping the stairs, and
thought that must be Rebecca. Then I saw
villainman coming down the stairs. At first, I
berated myself for wanting to turn tail and run,
but then I got kinder to me and decided to take
care of myself. Why should I put me through the
torture? So I turned the car around and went
home. Now I've got an appointment to look at my
own house at 11:00 on Monday morning. The
realtors have conveyed a message to villainman
that he and Rebecca should stay away from the
house that morning.
You know there's something that bothered
me about seeing that woman sweeping my stairs.
Since we moved out, I get the feeling that
villainman and she have nearly moved in. Here I
am held hostage by the fear that they will be
there if I show up. It's a sorry mess. In fact
the whole damn thing is a sorry mess.
Tuesday, we entertain bids. According to
the realtors, villainman said he couldn't be in
the same room with me, so we'll have to sit in
different rooms and the brokers will have to
present the bid to me and then go present it to
villainman. The next bidder will do the reverse,
i.e., present the bid to villainman first and
then to me. Did I say it was a sorry mess? I
imagine villainman is ashamed of himself and what
he's done, including how he's treated me since
the separation and divorce, and just can't be in
the room with me. I'm surprised that I'd said it
would be all right with me as long as Rebecca
wasn't there. This is probably because, as
uncomfortable as it would be to have to share the
room with him and confer with him about offers, I
am not ashamed of my behaviour in any way. I've
done the whole thing ethically and kindly and
have caused no one undue travail. I haven't
hounded villainman, nor lobbed barbed complaints
about his fitness as a person. I haven't had my
lawyer badmouthing him over and over again the
way villainman has done to me.
I think I told you that at one point, in
the midst of one of his pre-settlement conference
literary tirades, he proposed I be examined to
determine my fitness as a mother. It was
ridiculous on its face, and it didn't go any
further than his assertion, but it hurt
nonetheless. Even though I could have a room
full of specialists, people who have worked with
Meyshe for years and know me thoroughly, people
who have Ph.D.s and are authorities in their
fields testify that I am not just a fit mother
but an exceptional one, the suggestion that I be
subjected to scrutiny to decide whether I was
indeed fit, cut me. It rattled me. The judge
just passed over it, as she's passed over many of
villainman's pre-settlement conference tirades as
just so much OCD behaviour. It's taken a lot out
of me dealing with this divorce. I feel stalked,
and I am. But my lawyer has protected me from
most of this, as well as anyone could. The fact
that I'm not ashamed of my own behaviour is an
enormous comfort to me. I can live with myself.
Live with myself.
ßßßß®®®®ßßßß®®®®ßßßß®®®®ßßßß®®®®ßßßß®®®®ßßßß
Making myself disappear
When I split up with Dweller, I was
already enamored of Harry Lum, that diminutive
Chinese art teacher. My mother and I were taking
his evening painting class twice a week, and I
had developed a first class crush on the man.
What bothered me was that if I imagined making
love with Harry Lum, if he were on top, I would
be showing all around him, and if I were on top,
you wouldn't have been able to see him at all.
My weight bothered me. I'd grown to think of
myself as fat, even though the photographs of the
era clearly dispute that.
It wasn't so much that I thought myself
fat, as that I thought myself too large in other
ways. I was blessed and cursed with a lot of
talent. I played the cello very very well. I
could do artwork and construct odd art objects.
I was a terrific cook. I could write poetry and
prose. If you'd told me to sit down right here
and write a meaningful poem, I could have done it
in a trice without any writer's block. I could
analyze handwriting in a way so accurate and
perceptive it was scary. I wrote music,
beautiful music, interesting music, avant garde
songs that caught the music business smacking its
lips. I played the guitar with facility and
difference, nearly classical, as was my music. I
was highly intelligent and very quick witted. I
had a personality that shone. I was filled with
energy that burst out of me in every creative
way. I had a sense of humour that soared above
the rooftops.
And I felt sorry for myself, too, because
all these gifts made it hard for people to take
to me. I would find out from people I'd known
even in high school that they never approached me
because it seemed that I had everything taken
care of. What did I need another mere mortal
for? Time after time, men would run from me, or
try to disassemble me, because they found me
intimidating. Who was going to feel sorry for me
and my awful burden of talent. No friendships
for me. I would have died to have the
friendships. I did nearly die to have the
friendships. That's how lonely I was. I had
Yvonne, and she has been my only true companion
throughout my life, since I was fourteen. Oh,
for Yvonne, I would lay down my life. Yes, I
would give her one of my kidneys.
With all the attributes I've mentioned, I
was too powerful for most people, especially men,
to stomach. I couldn't help it. It was what I
was. But in addition to all that, I had a
voluptuous figure and a beautiful face. What was
I to do with me? What I wanted was to be tiny,
just to take the edge off of me, make me more
palatable. Maybe I could even become invisible.
That would have been preferable. I wanted to
disappear, remove my loud self from the unwanted
stage. And of course the last thing I wanted was
to be thought of as sexy. That was a poison my
father had fed to me since before I grew breasts.
He was always chasing me down, bumping into me
accidentally, making lewd comments, eyeing me
with his pornographic mind. My body was not my
temple. My body was a pain in the neck, a pain
in the soul. How could I get rid of the
unnecessary, obvious, problematic body? And the
odd thing was, that getting rid of my body was
actually possible.
Harry and I went out one evening with his
friend Jo Ann Bourgault. She was another artist,
former student of his. She painted what was
familiar to her. She was raising three girls by
herself. The father had run off when they were
very little. So she was in the house a lot being
a mother and homemaker. She did series of
paintings with steaming irons and ironing boards,
bath tubs, sinks, douche bags in settings inside
a humble household. She was a forthright
character, a bit abrasive with a mean streak
about a mile wide. When I told her that in
answer to her question, she let out one of her
laughs. She had a laugh that could have gotten
her arrested, deep, throaty, coming from the pit
of the diaphragm. And untamed. She laughed from
the id and the libido combined. The three of us
went out to dinner at a Chinese restaurant in
Oakland's Chinatown, not as extensive as San
Francisco's Chinatown, but just as authentic.
Harry always ordered from the Chinese menu, and
the dishes we added on to it were down home real
Chinese food. None of this honky stuff for us,
no sir, and no ma'am. We sat there at the table
and gorged ourselves on the splendid repast. I
ate hearty and I ate enthusiastically.
And when we got back to my parents'
house, as I was living there then, I said to my
crowd of friends. "Oh. I'm so full. I ate too
much. It's uncomfortable. I just want it to go
away." Harry said, "Well why don't you go stick
your finger in your throat and throw up." This
thought had never ever occurred to me. I found
it an appalling and appealing suggestion. I
believed in Harry and everything he said, so I
trotted upstairs and hung over the toilet,
sticking my finger down the back of my throat.
Up came the majority of what I'd eaten, very much
in the same state as I'd swallowed it.
Recognizable chunks of the meal lay floating in
the toilet. I flushed it and cleaned up, went
into my room and put a blue bathrobe on, came
back downstairs to the applause of Harry and Jo
Anne.
"Look at you," said Jo Anne, "You've got
a blue bathrobe on and your skin is white, but
your knees and cheeks are red. You look so
patriotic,." And she gave one of her trademark
laughs. Harry asked how it went, and I said I
felt very much relieved. The relief in fact was
so great that I employed the technique on a
number of subsequent occasions. When I got on
the scale, I was surprised that I'd lost ten
pounds. The technique became a habit, then an
addiction. And that is how at 28, I became
bulimic. It was to last for five long years,
encompassing nightmares of food frenzies and
unmentionable marathons. At the worst of it, I
got down to 78 pounds.
So you see, it WAS possible to disengage
from my body, to make myself disappear, to rid
myself of the unwanted curves that attracted so
much unwanted attention. I'd solved so many
problems just with my index finger. I could eat
all I wanted and remain rail thin. It could have
been the death of me. I was willing to die for
it. Suddenly people steered clear of my body.
No more leers and no more smacking of the lips,
no more obscene comments. Even my father was
frightened of me. I had achieved what I'd never
thought possible. I was safe.
ßßßß®®®®ßßßß®®®®ßßßß®®®®ßßßß®®®®ßßßß®®®®ßßßß
--
Tobie Helene Shapiro
Berkeley, California USA
tobie at shpilchas.net
More information about the TheBanyanTree
mailing list